My main inspiration for the start
of my work came from visiting Barcelona for a short holiday. Whilst I was here,
I visited Park Guell (also known as Gaudi’s gardens) that is situated in the
Catalonian district. Park
Guell was commissioned by Eusebi Guell who wanted to create a stylish park for
Barcelona aristocracy. The park contains some beautifully curved architecture,
irregular shapes and a giant dose of ‘natural form’ inspired work. Park Guell
also has a small house which Gaudi lived in at one stage. This was interesting
to see the living conditions of what is now one of the most famous artists in
the world. The house has now been converted into a museum and contains
furniture also designed by himself. However, it was at the top of the park
where I was instantly struck by the bright and bold colours of the
mosaic benches that ran around the viewing platform (a stunning sight of the
whole of the city). There was an instant connection with the beautifully
patterned, miss-matched, multi-coloured tiles and got me thinking about
geometrical pattern. Experimentation with this first came in the form of
collage.
I started to look at different
patterned papers and forming shapes from this, just like the different patterns
in each of the benches. Distinguishing a colour palate was not a priority for
me just yet as my photographs and initial inspiration Polaroid contained a vast
amount of colours in an infinite array of shades.
This collage is one of my
favourite experiments as there is a definite connection between my images of
the mosaics. I have decided that I would like to specialise in Weave this year,
and there is a lot of excitement when starting to think about the visual
research, and how I could relate and translate my ‘drawings’. I enjoy the
contrast between the pastel green, lilac and peach, to the monochrome writing
and dark patterned triangles and feel that this would look beautifully bold
when in weave.
Maryanne Moodie relates perfectly
to this specific initial collage; a textile designer that specialises in
stunning, geometric, hand woven wall hangings. Originally based in Melbourne,
Maryanne now lives and practices in Brooklyn, New York. Although she has only
been weaving since 2010, she has a substantial following of textile lovers on
social networking sights, specifically Instagram, and my love for her increases
by the day. I mainly enjoy Maryanne’s work due to the colour and abstract in
shape.
I’m unsure as to whether translating my collages into floor loom weaves would
be a challenge with the structure of the pattern(something that I need to
figure out as I am still yet to learn may processes within Weave), however I
started to experiment with my own hand loom.
Here I proceeded to create shape
with my hand loom (‘Loom and Spindle’http://www.loomandspindle.com.au/wholesale/)
to start transferring my drawings into fabric. I’d like to see my work in a
similar industry to Maryanne Moodie, mainly commercial and within interiors.
However I would like to produce for the mass market, which is something to
evaluate as I go along.
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