This brief was called ‘Urban
Influences’. Overall I feel that this project has been a great success; I have
learnt and developed new skills both technically and physically and believe
that my work reflects the brief given perfectly. This project has enabled me to
work on the floor looms for the first time, programming in my designs and
ending up with a final sample that looks much more professional to last years.
I have maintained structure in my working pattern, whilst also experimenting
with new techniques and without deviating from my concept.
My original idea was to take
inspiration from the urban environment, specifically looking at repeat patterns
within architecture. My initial starting point stemmed from my summer work
where I’d combined two abroad trips (Barcelona; Park Guell and Paris; The
Louvre). I progressed by creating some simple collages to reflect the
architecture in both of these places, which just so happened to be repeat and
recurring shapes. Over my design development processes, I have experimented and
stepped out of my comfort zone by using methods that I wouldn’t usually
consider using (refer to design development blog posts). In reflection of my
last tutorial, I feel I could have pushed my skills more to create a finer
amount of initial drawings, instead of heading straight into collaging (which I
took straight from my summer work).
My final samples demonstrate refinement
and correction and prove that I can interpret my drawings and apply them
specifically to Scotweave, ready for my loom. I am very happy with the
aesthetics of my samples, and feel that my designs really reflect my style of
working; which is extremely linear, structured, and controlled with the use of
colour to make them ‘pop’! An example of this would be when I re-developed my plain
weave striped sample, by addressing the fact that my brighter colour (sulphur
yellow) was muted by my warp colour. I corrected this by changing my peg plan
so that the positive colour would be in a sateen.
In terms of context, I see my
work in modern interiors, specifically soft furnishings and upholstery, much
like the work of Eleanor Pritchard (refer to contextual blog post). I can see
myself designing, making and upholstering retro pieces of furniture, which will
support and reflect my designs. Here I have utilised my Photoshop skills
(taught in creative suite sessions), to visualise where I see my work.
I feel that my final samples
could suit all kinds of people in the variety of styles that I have. I
specifically would like to look at an audience of those interested in modernising,
revamping and refurbishing retro furniture, but also those who plan to insert
colour into a subtle interior. I feel that my work could fit nicely into a
company like John Lewis interiors.
In completion of this project, I have
grown in confidence in terms of using different materials for design
development, increased my Photoshop skills, learnt new skills in using a floor
loom and am on the way to mastering the software ‘Scotweave’. I believe that
the amount of samples I have achieved is a sufficient amount for the time that
we were given on the looms, and believe they reflect my journey of design
developing from start to finish.
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